Painter of landscapes and still lifes. His line is scratchy. His still lifes, like his landscapes, are made of a detail, which has become a subject, which has pushed back everything that could compete, and this void is the place of light. The landscape is reduced to a reef between land and sea, the still life to a glass and a few grapes. He sometimes tries non-figuration*, but the irregular balls are there to compete with the milky spaces. He is also the author of small formats, cuttlefish like those of Nicolas de Staël*. This painting was created in 1964, signature at the bottom left Exhibitions: 1966, gal. 93, Paris (G); 1967, Des Arts, Madrid (P); 1967, 1998, Romanet, Paris (P). Quote(s): It has been said: - His skies are perhaps what is most precious, strangest, and most particular in his work. (Marcel Achard). Theme:Landscape Style:Unspecified Genre:Abstract Characteristics:On canvas Type:Oil
Painter of landscapes and still lifes. His line is scratchy. His still lifes, like his landscapes, are made of a detail, which has become a subject, which has pushed back everything that could compete, and this void is the place of light. The landscape is reduced to a reef between land and sea, the still life to a glass and a few grapes. He sometimes tries non-figuration*, but the irregular balls are there to compete with the milky spaces. He is also the author of small formats, cuttlefish like those of Nicolas de Staël*. This painting was created in 1964, signature at the bottom left Exhibitions: 1966, gal. 93, Paris (G); 1967, Des Arts, Madrid (P); 1967, 1998, Romanet, Paris (P). Quote(s): It has been said: - His skies are perhaps what is most precious, strangest, and most particular in his work. (Marcel Achard). Theme:Landscape Style:Unspecified Genre:Abstract Characteristics:On canvas Type:Oil