Description

19TH C. ENGRAVING PIO SEPTIMO PONT MAX BY LUIGI FABRI IT REPRESENTS THE OATH OF JUSTIFICATION OF LEON III BY RAPHAEL AND HIS HELPS LOCATED IN THE CHAMBER OF THE FIRE AT BORGO ONE OF RAPHAEL'S FOUR ROOMS IN THE VATICAN M1126 This interpretative engraving titled "Pio septimo Pont Max" is based on a painting by Thommaso Minardi and engraved by Luigi Fabri. Oath of Leo III The Oath of Leo III represents an episode that occurred on the eve of the coronation of Charlemagne. The Pope responded to the calumnies of his predecessor Adrian I's nephews by reaffirming the principle that the Vicar of Christ is responsible for his acts only before God.- Luigi (Aloisio)Fabri alias Aloysius Fabri (1778-1835) Italian engraver and publisher . - Tommaso Minardi (1787-1871) Italian painter co-signer and main representative in Rome of Italian Purism, a romantic movement inspired by the Trecento and the Quattrocento, born in the wake of the German Nazarene movement. For the state, we report black spots, freckles, the paper is yellowed in various places, small tears on the edge, folds and creases on the edge and the angles, friction and micro-scratches on the engraving, however it remains in a decent state of preservation. For the state thank you for detailing the photos. Feel free to zoom. The photos are an integral part of the description. Dimensions: Height: 78 cm Width: 113.5 cm - Engraving: Height: 74 cm Width: 51 cm I remain at your disposal for any questions.
Réf  :   #62988

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ENGRAVING LUIGI FABRI TOMMASO MINARDI PIO SEPTIMO PONT MAX OATH LEON III M1126

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Last update : 17/12/2024
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Description

19TH C. ENGRAVING PIO SEPTIMO PONT MAX BY LUIGI FABRI IT REPRESENTS THE OATH OF JUSTIFICATION OF LEON III BY RAPHAEL AND HIS HELPS LOCATED IN THE CHAMBER OF THE FIRE AT BORGO ONE OF RAPHAEL'S FOUR ROOMS IN THE VATICAN M1126 This interpretative engraving titled "Pio septimo Pont Max" is based on a painting by Thommaso Minardi and engraved by Luigi Fabri. Oath of Leo III The Oath of Leo III represents an episode that occurred on the eve of the coronation of Charlemagne. The Pope responded to the calumnies of his predecessor Adrian I's nephews by reaffirming the principle that the Vicar of Christ is responsible for his acts only before God.- Luigi (Aloisio)Fabri alias Aloysius Fabri (1778-1835) Italian engraver and publisher . - Tommaso Minardi (1787-1871) Italian painter co-signer and main representative in Rome of Italian Purism, a romantic movement inspired by the Trecento and the Quattrocento, born in the wake of the German Nazarene movement. For the state, we report black spots, freckles, the paper is yellowed in various places, small tears on the edge, folds and creases on the edge and the angles, friction and micro-scratches on the engraving, however it remains in a decent state of preservation. For the state thank you for detailing the photos. Feel free to zoom. The photos are an integral part of the description. Dimensions: Height: 78 cm Width: 113.5 cm - Engraving: Height: 74 cm Width: 51 cm I remain at your disposal for any questions.
Réf  :   #62988

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