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Description

ENGRAVING BY FRANK WILL BERGE DE SEINE NOTRE DAME NATURAL WOOD FRAME C2696 You will notice traces on the margin. The engraving is in good condition The print is signed and countersigned on the margin Wear and friction on the frame For the condition thank you for detailing the photos Do not hesitate to zoom Frank William Boggs says Frank-Will is a French painter, mainly watercolorist, born March 13, 1900 in Nanterre and died at Beaujon Hospital in Clichy on December 29, 1950. Views of Paris naturally constitute Frank-Will's first favorite theme. After 1925, Éditions Barré & Dayez will popularize its Sacré-Cœur, its Opéra Garnier, its Gare du Nord, its Colonne Vendôme6 ...) in postcards. His resorts from the 1920s and 1930s are known to us and allow the dating of certain works: Normandy (including Rouen and Honfleur) in 1922, La Rochelle in 1926, Amiens in 1929, Barfleur in 1930. It is there that he focuses on the theme of tall ships, those galleons he loves and which will remain one of his recurring themes, even sometimes in compositions of imaginary naval battles. It was then, with a friend he had met at the Henri Bureau gallery, Marcel Leprin (1891-1932), that he visited Moret-sur-Loing, Auxerre and Avallon.The photos are an integral part of the description.Dimensions: FrameHeight: 32.5 cmWidth: 43 cmHeight: 21 cmWidth: 30 cm I remain at your disposal for any questions.
Réf  :   #17256

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ENGRAVING FRANK WILLIAM BOGGS SAYS FRANK WILL BERGE DE SEINE NOTRE DAME C2696

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Description

ENGRAVING BY FRANK WILL BERGE DE SEINE NOTRE DAME NATURAL WOOD FRAME C2696 You will notice traces on the margin. The engraving is in good condition The print is signed and countersigned on the margin Wear and friction on the frame For the condition thank you for detailing the photos Do not hesitate to zoom Frank William Boggs says Frank-Will is a French painter, mainly watercolorist, born March 13, 1900 in Nanterre and died at Beaujon Hospital in Clichy on December 29, 1950. Views of Paris naturally constitute Frank-Will's first favorite theme. After 1925, Éditions Barré & Dayez will popularize its Sacré-Cœur, its Opéra Garnier, its Gare du Nord, its Colonne Vendôme6 ...) in postcards. His resorts from the 1920s and 1930s are known to us and allow the dating of certain works: Normandy (including Rouen and Honfleur) in 1922, La Rochelle in 1926, Amiens in 1929, Barfleur in 1930. It is there that he focuses on the theme of tall ships, those galleons he loves and which will remain one of his recurring themes, even sometimes in compositions of imaginary naval battles. It was then, with a friend he had met at the Henri Bureau gallery, Marcel Leprin (1891-1932), that he visited Moret-sur-Loing, Auxerre and Avallon.The photos are an integral part of the description.Dimensions: FrameHeight: 32.5 cmWidth: 43 cmHeight: 21 cmWidth: 30 cm I remain at your disposal for any questions.
Réf  :   #17256

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