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BISCUIT GROUP DIANE AU BAIN D AFRES LOUIS SIMON BOIZOT SEVRES 19EME C2597 "Diana's bath" Large biscuit group with rotating decoration representing "Diana in a bath" The goddess is standing naked in the center above a stream from the rock , a fabric is draped around her hips and held by one of her three attendants, a dog jumps on her and another on the side. According to Louis Simon BOIZOT All the attributes of Diana (Artémis) are there: dogs, crescent moon, quiver and arrows. This cookie is 19th. It is heavy, weighted on the inside. A hollow marking difficult to identify under the base. We believe that it is about Sèvres because Boizot was at the head of the sculpture workshops of the Sèvres manufacture. 3 accidents to report: on the dog's tail (photo 9), the finger of Diane's left hand (photo 7) and the neck of the maid washing the foot is re-glued. We did not push the cleaning. Small wear and friction.For the condition, please detail the photos.Do not hesitate to zoom.Louis-Simon Boizot said Louis Boizot, born in Paris on October 9, 1743, died in this city on March 10, 1809, is A French sculptor.Biography Son of the painter Antoine Boizot, he was a pupil of the sculptor Michel-Ange Slodtz when he won, in 1762, the first prize in Rome for sculpture on the theme of The Death of Germanicus. He then joined the Royal School of Protected Students. This success will also allow him to leave for Rome in 1765 where he will stay for five years at the Académie de France. Approved by the Academy upon his return to France, however, he did not become an academician until 1778 with a statue of Méléagre. In 1773, he exhibited at the Salon.He was appointed professor at the School of Fine Arts on December 21, 1805, and was replaced by Philippe-Laurent Roland, in 1809 and member of the Institute. of Russia while in Rome, Boizot worked mainly for the French capital, mainly creating sculpted decorations for public buildings such as the Palais Bourbon (1772), the Church of Sainte-Geneviève (1776-1777) or the Saint-Sulpice church (1777-1787). In 1783, the Count d'Angiviller asked him, as part of the series of portraits of the “Great Men”, for a statue of Racine. Queen Marie Antoinette ordered two busts from him, among others: one of Louis XVI, the other of his brother the Emperor of Austria Joseph II. Boizot however acquired a certain notoriety when he succeeded, in 1774, as a replacement. of the sculptor Falconet at the head of the sculpture workshops of the Manufacture de Sèvres. Until 1785, he created small allegorical models according to the new neoclassical canons which contrasted with the elegant and graceful tradition that prevailed until then.The photos are an integral part of the description.Dimensions: Height: 35 cmDiameter: 19, 2 cmWidth: 23.5 cmP: 673605 I remain at your disposal for any questions.
Réf  :   #17609
Color(s) :  White

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BISCUIT GROUP DIANE AU BAIN D AFTER LOUIS SIMON BOIZOT 19EME C2597

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Description

BISCUIT GROUP DIANE AU BAIN D AFRES LOUIS SIMON BOIZOT SEVRES 19EME C2597 "Diana's bath" Large biscuit group with rotating decoration representing "Diana in a bath" The goddess is standing naked in the center above a stream from the rock , a fabric is draped around her hips and held by one of her three attendants, a dog jumps on her and another on the side. According to Louis Simon BOIZOT All the attributes of Diana (Artémis) are there: dogs, crescent moon, quiver and arrows. This cookie is 19th. It is heavy, weighted on the inside. A hollow marking difficult to identify under the base. We believe that it is about Sèvres because Boizot was at the head of the sculpture workshops of the Sèvres manufacture. 3 accidents to report: on the dog's tail (photo 9), the finger of Diane's left hand (photo 7) and the neck of the maid washing the foot is re-glued. We did not push the cleaning. Small wear and friction.For the condition, please detail the photos.Do not hesitate to zoom.Louis-Simon Boizot said Louis Boizot, born in Paris on October 9, 1743, died in this city on March 10, 1809, is A French sculptor.Biography Son of the painter Antoine Boizot, he was a pupil of the sculptor Michel-Ange Slodtz when he won, in 1762, the first prize in Rome for sculpture on the theme of The Death of Germanicus. He then joined the Royal School of Protected Students. This success will also allow him to leave for Rome in 1765 where he will stay for five years at the Académie de France. Approved by the Academy upon his return to France, however, he did not become an academician until 1778 with a statue of Méléagre. In 1773, he exhibited at the Salon.He was appointed professor at the School of Fine Arts on December 21, 1805, and was replaced by Philippe-Laurent Roland, in 1809 and member of the Institute. of Russia while in Rome, Boizot worked mainly for the French capital, mainly creating sculpted decorations for public buildings such as the Palais Bourbon (1772), the Church of Sainte-Geneviève (1776-1777) or the Saint-Sulpice church (1777-1787). In 1783, the Count d'Angiviller asked him, as part of the series of portraits of the “Great Men”, for a statue of Racine. Queen Marie Antoinette ordered two busts from him, among others: one of Louis XVI, the other of his brother the Emperor of Austria Joseph II. Boizot however acquired a certain notoriety when he succeeded, in 1774, as a replacement. of the sculptor Falconet at the head of the sculpture workshops of the Manufacture de Sèvres. Until 1785, he created small allegorical models according to the new neoclassical canons which contrasted with the elegant and graceful tradition that prevailed until then.The photos are an integral part of the description.Dimensions: Height: 35 cmDiameter: 19, 2 cmWidth: 23.5 cmP: 673605 I remain at your disposal for any questions.
Réf  :   #17609
Color(s) :  White

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